The Elements of Dance: Body
Learning the core concepts of body, effort, shape, and space, focusing on the body as an instrument.
About This Topic
The Elements of Dance introduces students to the core building blocks of movement: Body, Effort, Shape, and Space (often remembered by the acronym BESS). In the Ontario Grade 7 Dance curriculum, students are expected to use these elements to communicate abstract ideas and personal feelings. This topic helps students move beyond 'steps' to understand the quality and intention of movement.
Students explore how changing their 'level' (high, medium, low) or the 'pathway' (straight, curved, zigzag) through which they move can alter the energy of a dance. They also investigate 'effort', the weight and time behind a movement. This topic comes alive when students can physically model these concepts through collaborative choreography and movement explorations that prioritize expression over technical perfection.
Key Questions
- How does moving through a low level versus a high level change the energy of a dance?
- What is the relationship between a dancer's breath and the fluidity of their movement?
- How can a group of dancers create a single cohesive shape?
Learning Objectives
- Identify how different body parts can initiate and complete movement.
- Demonstrate how variations in body tension (tight vs. loose) affect movement quality.
- Analyze how breath influences the initiation and flow of movement sequences.
- Compare the expressive qualities of movements performed at high, medium, and low levels.
- Create a short movement phrase using at least three distinct body shapes.
Before You Start
Why: Students need prior experience with basic locomotor and non-locomotor movements to build upon when exploring the elements of body.
Why: A foundational understanding of common body parts and their ability to move is necessary before focusing on the nuances of tension and breath.
Key Vocabulary
| Body | The physical instrument used for dance, including body parts, tension, and breath. |
| Body Parts | Specific parts of the body, such as the head, shoulders, torso, hips, knees, and feet, that can initiate or perform movement. |
| Tension | The degree of tightness or looseness in the muscles and body, affecting the quality and energy of movement. |
| Breath | The inhalation and exhalation of air, which can initiate, support, and shape movement, influencing its fluidity and energy. |
| Level | The vertical distance of movement from the floor, categorized as high (above standing), medium (at standing), or low (on or near the floor). |
Watch Out for These Misconceptions
Common MisconceptionDance is just about following a set of memorized steps.
What to Teach Instead
Students often focus on 'getting it right' rather than the quality of movement. Use 'Effort' exercises (moving like honey vs. moving like popcorn) to show that how you move is just as important as what move you do.
Common MisconceptionYou need to be 'flexible' or 'athletic' to be a good dancer.
What to Teach Instead
Students may feel intimidated by technical dance. By focusing on the 'Elements of Dance,' you can show them that expressive movement is accessible to everyone, regardless of their physical training.
Active Learning Ideas
See all activitiesStations Rotation: The Element Lab
Set up four stations, each focusing on one element (e.g., 'Space' station focuses on levels, 'Effort' station focuses on heavy vs. light movement). Students spend 8 minutes at each station creating a 4-count move based on that element.
Think-Pair-Share: Pathway Patterns
Students draw a complex 'pathway' on paper (e.g., a spiral that turns into a sharp zigzag). They trade papers with a partner and must 'dance' the pathway they were given, focusing on how the shape changes their speed.
Inquiry Circle: The Human Sculpture Garden
In groups, students must create a 'group shape' that represents a specific concept (e.g., 'strength' or 'confusion'). They then have to transition into a new shape using only 'low-level' movements.
Real-World Connections
- Actors in theatre use body awareness and breath control to convey character emotions and intentions, whether performing a dramatic monologue or a physical comedy scene.
- Professional dancers with companies like the Royal Winnipeg Ballet train extensively to master the control of their bodies, using precise muscle tension and breath to execute complex choreography and express narratives.
- Physical therapists guide patients through rehabilitation exercises, focusing on specific body parts, controlled tension, and breath to restore movement and function after injury.
Assessment Ideas
Ask students to stand and demonstrate three different ways to move their shoulder. Then, ask them to show the difference between a 'tight' arm movement and a 'loose' arm movement. Observe for understanding of body part articulation and tension.
On a slip of paper, have students write one sentence explaining how breath can change a simple walk. Ask them to also list one body part they could use to initiate a movement sequence.
Pose the question: 'How does dancing low to the ground feel different from dancing high in the air?' Facilitate a class discussion, encouraging students to use vocabulary like 'level,' 'tension,' and 'energy' to describe their experiences.
Frequently Asked Questions
What are 'levels' in dance and why do they matter?
How does 'effort' change a dance?
How can active learning help students understand dance elements?
What is a 'pathway' in dance?
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