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Browse by Grade: Year 13

United Kingdom · National Curriculum Attainment Targets

Year 13 Media Studies.

This Year 13 Media Studies curriculum provides an advanced exploration of the media's role in contemporary society, focusing on complex theoretical frameworks. Students will critically analyse media language, representation, industries, and audiences across various platforms, preparing them for higher education and industry practice.

4 units·12 topics·Ages 17-18

01Advanced Media Language and Representation

3 topics·1.º Período

An in-depth analysis of how media products construct meaning and represent social groups, issues, and events using advanced semiotic and structuralist theories.

Semiotics and Structuralism in Contemporary Media

Students apply theories from Barthes and Lévi-Strauss to deconstruct complex media texts, exploring myth and binary oppositions.

Case Study AnalysisConcept Mapping
Postmodernism and Media Language

An exploration of Baudrillard's theories of postmodernism, focusing on simulacra, hyperreality, and intertextuality in modern media.

Gallery WalkInquiry-Based Learning
Complex Representations and Identity

Critical examination of how gender, ethnicity, and identity are constructed, drawing on theories by Hall, Gauntlett, and bell hooks.

Philosophical ChairsJigsaw

02Media Industries and Global Contexts

3 topics·2.º Período

A critical investigation into the ownership, control, and regulation of global media industries, and the impact of digital convergence.

Ownership, Power, and Media Conglomerates

Analysing the political economy of the media using Curran and Seaton's theories to understand how ownership shapes media content.

Expert PanelCase Study Analysis
Regulation in the Digital Age

Evaluating the challenges of regulating global, digital media platforms, referencing Livingstone and Lunt's theories on regulation.

Simulation GamePhilosophical Chairs
Cultural Imperialism and Globalisation

Investigating the flow of media products across national borders and the theories of cultural imperialism versus cultural hybridity.

Inquiry-Based LearningStations Rotation

03Active Audiences and Participatory Culture

3 topics·3.º Período

Exploring how audiences consume, interpret, and interact with media, shifting from passive reception to active participation.

Reception Theory and Audience Positioning

Applying Stuart Hall's encoding/decoding model to understand how different audiences negotiate meaning based on their cultural backgrounds.

Case Study AnalysisJigsaw
Fandom and Participatory Culture

Examining Henry Jenkins' theories on fandom, textual poaching, and how digital media enables audiences to become media producers.

Expert PanelConcept Mapping
The End of Audience?

Critiquing Clay Shirky's 'end of audience' theory, looking at the blurring lines between media producers and consumers in the age of social media.

Philosophical ChairsInquiry-Based Learning

04Cross-Media Study and Non-Examined Assessment (NEA) Preparation

3 topics·4.º Período

Synthesising the theoretical framework through an in-depth cross-media study and preparing for the practical production element.

Cross-Media Case Study Analysis

A holistic analysis of a specific media franchise or campaign across multiple platforms, integrating language, representation, industry, and audience.

Stations RotationCase Study Analysis
Research and Planning for Media Production

Developing a comprehensive research portfolio and production plan for the NEA, applying theoretical knowledge to practical intentions.

Inquiry-Based LearningMaker Learning
Prototyping and Pitching

Creating initial prototypes or drafts of the media product and pitching the concept to an audience for feedback.

Expert PanelGallery Walk