
Ownership and Control
Students investigate the impact of media conglomerates and monopolies on content production. They will analyse Curran and Seaton's power and media industries theory.
TL;DR:Ownership and Control introduces students to the 'big picture' of the media industry, focusing on how money and power dictate what we see. Students explore the rise of global conglomerates and the impact of horizontal and vertical integration. A key focus is Curran and Seaton's theory, which suggests that media concentration limits variety and creativity, favouring profit over public interest.
About This Topic
Ownership and Control introduces students to the 'big picture' of the media industry, focusing on how money and power dictate what we see. Students explore the rise of global conglomerates and the impact of horizontal and vertical integration. A key focus is Curran and Seaton's theory, which suggests that media concentration limits variety and creativity, favouring profit over public interest.
This topic is essential for understanding the institutional context of media production. Students learn to trace the links between a parent company and its subsidiaries, discovering how a single corporation can control everything from film studios to news outlets. This knowledge is crucial for evaluating the health of a democracy. Students grasp this concept faster through structured discussion and peer explanation, where they can map out the complex webs of corporate ownership.
Key Questions
- How does media ownership affect the variety of content produced?
- What are the risks of media monopolies?
- How do independent producers compete with conglomerates?
Watch Out for These Misconceptions
Common MisconceptionMore channels mean more choice.
What to Teach Instead
While there are more platforms, many are owned by the same few companies. Active mapping of ownership helps students see that 'choice' is often an illusion created by a small number of conglomerates.
Common MisconceptionConglomerates only care about movies.
What to Teach Instead
Media giants often have interests in theme parks, news, and technology. A 'synergy hunt' activity helps students identify how a single brand is monetised across multiple diverse sectors.
Active Learning Ideas
See all activities→Simulation Game
The Conglomerate Boardroom
Groups act as executives for a major media conglomerate. They must decide which 'independent' projects to fund based on profit potential and synergy, then justify their choices to the 'shareholders' (the rest of the class).
Inquiry Circle
Ownership Mapping
Using large sheets of paper, pairs trace the ownership of a specific media product (e.g., a Marvel film) back to its parent company, identifying all the subsidiaries involved in its production and promotion.
Think-Pair-Share
The Independent Challenge
Students brainstorm the advantages and disadvantages of being an independent producer. They then pair up to compare their lists and share one strategy an indie producer might use to compete with a giant like Disney.
Frequently Asked Questions
What is the difference between horizontal and vertical integration?
How does media ownership affect the news we consume?
Why do we study Curran and Seaton in Year 12?
What are the best active learning strategies for teaching media industries?
More in Media Industries and Audiences
The Impact of Digital Convergence
An exploration of how technological advancements have blurred the lines between different media sectors. Students will assess the shift from traditional to digital distribution.
8 methodologies
Audience Categorisation and Consumption
This topic covers how media industries target specific demographics and psychographics. Students will explore how marketing strategies are tailored to distinct audience segments.
8 methodologies
Active vs. Passive Audiences
Students debate the extent to which audiences are influenced by media texts. They will contrast the Hypodermic Syringe model with Uses and Gratifications theory.
8 methodologies