Art & Culture: The Group of Seven
Exploring how the Group of Seven shaped a unique Canadian landscape identity through art.
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Key Questions
- Analyze how the Group of Seven redefined the visualization of the Canadian landscape.
- Critique the representation of Canadian identity in the Group of Seven's work.
- Evaluate the lasting influence of the Group of Seven on Canadian art and national identity.
Ontario Curriculum Expectations
About This Topic
Prohibition, the legal ban on the production, sale, and consumption of alcohol, was a major social experiment in early 20th-century Canada. This topic examines the roots of the temperance movement, which was largely led by women's groups who saw alcohol as the cause of poverty and family breakdown. Students explore how the 'dry' movement gained momentum during WWI as a patriotic measure to save grain and money for the war effort.
However, the curriculum also covers the failure of prohibition and the rise of 'rum-running.' Students investigate how Canada's proximity to a 'dry' United States led to a massive illegal trade and how this impacted Canada-US relations. This topic benefits from analyzing the arguments for and against prohibition and investigating the role of organized crime. Students grasp the reasons for the eventual shift to government-controlled liquor sales faster through structured discussion and by role playing the different perspectives of the era.
Learning Objectives
- Analyze how the Group of Seven's artistic techniques and subject matter contributed to a distinct Canadian visual identity.
- Critique the extent to which the Group of Seven's landscapes accurately represented the diversity of the Canadian environment and its people.
- Evaluate the Group of Seven's impact on the development of national art institutions and the perception of Canadian culture domestically and internationally.
- Synthesize information from various sources to construct an argument about the Group of Seven's role in shaping Canada's self-image during the interwar period.
Before You Start
Why: Students need a foundational understanding of artistic movements and styles prior to the Group of Seven to contextualize their innovations.
Why: Familiarity with Canada's diverse geographical features is essential for analyzing how the Group of Seven depicted specific landscapes.
Why: Understanding the broader context of developing national identity helps students grasp the significance of the Group of Seven's artistic contributions to that narrative.
Key Vocabulary
| Canadian landscape painting | A genre of art focused on depicting the natural scenery of Canada, often emphasizing its vastness, ruggedness, and unique light. |
| National identity | A sense of belonging to one nation, characterized by shared culture, history, values, and often a distinct territory. |
| Modernism | An artistic and cultural movement that emerged in the late 19th and early 20th centuries, characterized by a rejection of traditional styles and an embrace of experimentation and new forms. |
| Post-Impressionism | A diverse style of painting that emerged in France in the late 19th century, reacting against Impressionism by emphasizing symbolic content, formal order, and personal expression. |
Active Learning Ideas
See all activitiesFormal Debate: The 'Wet' vs. 'Dry' Debate
Divide the class into two sides: the Women's Christian Temperance Union (pro-prohibition) and the 'Moderation League' (anti-prohibition). They must debate the social and economic impacts of banning alcohol using arguments from the 1920s.
Inquiry Circle: Rum-Running and the Border
In small groups, students use maps and 'incident reports' to investigate how alcohol was smuggled from Canada into the US. They identify the key routes, the methods used by bootleggers, and the challenges faced by border officials.
Think-Pair-Share: Why Did Prohibition Fail?
Students read a list of reasons for the failure of prohibition (e.g., lack of public support, rise of crime, loss of tax revenue). They discuss with a partner which factor they think was the most significant in the government's decision to end the ban.
Real-World Connections
The McMichael Canadian Art Collection in Kleinburg, Ontario, houses an extensive collection of Group of Seven works and is a key institution for understanding their legacy in Canadian art history.
Canadian currency, such as the Canadian $10 bill, has featured artwork inspired by or directly related to the Group of Seven's depictions of the Canadian landscape, reflecting their enduring national significance.
Art historians and curators at major Canadian galleries, like the National Gallery of Canada, continue to research, exhibit, and interpret the Group of Seven's contributions, influencing public understanding of Canadian art and identity.
Watch Out for These Misconceptions
Common MisconceptionProhibition was a single law that applied to all of Canada at once.
What to Teach Instead
Prohibition was mostly a provincial matter, and different provinces went 'dry' and 'wet' at different times. Using a 'provincial timeline' activity helps students see the regional differences in how prohibition was implemented and ended.
Common MisconceptionProhibition was only about 'morality.'
What to Teach Instead
While morality was a factor, it was also tied to wartime efficiency, women's rights, and public health. Peer discussion about the 'multiple motivations' for prohibition helps students see it as a complex social and political issue.
Assessment Ideas
Pose the question: 'In what ways did the Group of Seven's focus on specific regions of Canada (like Algonquin Park or the Canadian Shield) potentially limit or shape the perception of the 'Canadian landscape' for people living in other parts of the country?' Facilitate a class discussion, encouraging students to support their points with visual evidence from the paintings.
Ask students to write down one specific artistic element (e.g., use of color, brushstroke, composition) used by the Group of Seven and explain how it contributed to their unique vision of the Canadian landscape. Then, have them write one sentence about a potential critique of their work regarding representation.
Present students with two different landscape paintings: one by the Group of Seven and one by a contemporary Canadian artist. Ask students to identify at least two key differences in their approach to depicting the landscape and briefly explain what these differences suggest about evolving Canadian identity or artistic movements.
Suggested Methodologies
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