Emphasis & ContrastActivities & Teaching Strategies
Active learning helps third graders grasp emphasis and contrast because they need to see, test, and feel how small changes in visual elements shift attention. When students manipulate materials themselves, they build lasting understanding of how artists control viewer focus through deliberate choices.
Learning Objectives
- 1Identify at least three types of contrast (color, size, texture) used by artists to create emphasis.
- 2Explain how an artist's choice of contrast influences the viewer's perception of a focal point.
- 3Design a simple composition that clearly emphasizes one element through the use of contrast.
- 4Critique an artwork, identifying the focal point and explaining the specific contrast used to achieve it.
Want a complete lesson plan with these objectives? Generate a Mission →
Think-Pair-Share: Find the Focal Point
Display three professional artworks: one with emphasis created by color contrast, one by size contrast, and one by textural contrast. Students independently identify the focal point in each and write down how contrast created it. Pairs compare their findings, then the class discusses each artwork.
Prepare & details
Explain how an artist can use contrast to draw attention to a specific area of an artwork.
Facilitation Tip: For the Think-Pair-Share, assign each pair a different image so the class sees multiple ways contrast can create emphasis.
Setup: Standard classroom seating; students turn to a neighbor
Materials: Discussion prompt (projected or printed), Optional: recording sheet for pairs
Studio Project: Contrast Creates Emphasis
Students plan a composition where one element must be clearly emphasized over all others. Before drawing, they complete a planning sheet identifying the focal point, the type of contrast they will use, and how the surrounding area will remain subordinate. Partners review each other's plan before studio work begins.
Prepare & details
Design a composition where one element is clearly emphasized over others.
Facilitation Tip: During the Studio Project, limit student color choices to three hues to force them to rely on size, shape, or texture for contrast.
Setup: Groups at tables with document sets
Materials: Document packet (5-8 sources), Analysis worksheet, Theory-building template
Hands-On: Emphasis Experiment
Give students a pre-printed composition with multiple equal elements. Using colored pencils or paint, they must create a focal point using only color contrast, without adding or removing shapes. Pairs compare their results and discuss whether the focal point reads clearly.
Prepare & details
Critique an artwork, identifying the focal point and explaining how it was achieved.
Facilitation Tip: In the Emphasis Experiment, provide only neutral backgrounds so students must focus on manipulating the object’s size, texture, or placement to create emphasis.
Setup: Groups at tables with document sets
Materials: Document packet (5-8 sources), Analysis worksheet, Theory-building template
Gallery Walk: Critique Walk
Students post in-progress or completed compositions on the wall. Classmates use sticky notes to mark where their eye goes first and write one sentence identifying what type of contrast created the emphasis. Artists review the feedback to see whether their intended focal point was communicated.
Prepare & details
Explain how an artist can use contrast to draw attention to a specific area of an artwork.
Facilitation Tip: During the Gallery Walk, have students write down one observation about each artwork’s focal point before discussing as a group.
Setup: Wall space or tables arranged around room perimeter
Materials: Large paper/poster boards, Markers, Sticky notes for feedback
Teaching This Topic
Teach this topic by first letting students experience the power of contrast through hands-on activities before introducing formal vocabulary. Avoid overwhelming them with too many contrast types at once; focus on color, size, and texture first. Research shows that young students learn best when they physically manipulate materials to see cause and effect in visual relationships.
What to Expect
Successful learning looks like students identifying focal points in artworks, explaining the type of contrast used, and applying contrast strategies in their own compositions. They should also recognize when emphasis is strong versus weak, and why.
These activities are a starting point. A full mission is the experience.
- Complete facilitation script with teacher dialogue
- Printable student materials, ready for class
- Differentiation strategies for every learner
Watch Out for These Misconceptions
Common MisconceptionDuring the Studio Project, watch for students who make everything large to create emphasis.
What to Teach Instead
Have students compare their artwork to a peer’s and ask: 'Which object feels most important? If everything is large, how can you adjust size or placement to make one element stand out?' Provide rulers to measure proportional differences.
Common MisconceptionDuring the Gallery Walk, listen for students who claim an artwork has multiple equally important focal points.
What to Teach Instead
Ask them to cover one focal point with their hand. If the remaining artwork still feels balanced, the emphasis was likely shared. If the composition collapses, there was one primary focal point.
Common MisconceptionDuring the Emphasis Experiment, watch for students who assume color is the only way to create contrast.
What to Teach Instead
Provide monochromatic papers and objects. Challenge students to create emphasis using only size differences or texture variations. Ask them to describe which strategy felt most effective.
Assessment Ideas
After the Think-Pair-Share, give students a printed image with a clear focal point. Ask them to circle the focal point and label it with the type of contrast (color, size, or texture) used.
During the Studio Project, display three student examples on the board. Ask students to point to the focal point in each and explain which type of contrast creates it.
After the Gallery Walk Critique, have students swap sketches with a partner. Each partner answers: 'What is the focal point?' and 'What type of contrast makes it stand out?' They then suggest one way to increase emphasis.
Extensions & Scaffolding
- Challenge advanced students to create an artwork with two focal points that still maintain a clear primary emphasis.
- Scaffolding for struggling students: Provide a template with three marked areas and ask them to place a contrasting element in the designated focal point only.
- Deeper exploration: Have students analyze a famous artwork, identifying the type of contrast used and proposing an alternative way to emphasize the same focal point.
Key Vocabulary
| Emphasis | The part of an artwork that is noticed first by the viewer, creating a focal point. |
| Focal Point | The area in an artwork that draws the viewer's attention and is the main subject. |
| Contrast | The arrangement of opposite elements (like light and dark colors, rough and smooth textures, or large and small shapes) to create visual interest or highlight a specific area. |
| Color Contrast | Using colors that are opposite each other on the color wheel, or very different in lightness or saturation, to make an area stand out. |
| Size Contrast | Making one object significantly larger or smaller than others in the artwork to draw attention to it. |
| Texture Contrast | Placing a rough or detailed area next to a smooth or plain area to create emphasis. |
Suggested Methodologies
More in Visual Literacy and Studio Practice
Exploring Line: Expressive & Structural
Students will experiment with different types of lines to convey emotion and create structural elements in their drawings.
2 methodologies
Shape & Form: 2D to 3D
Students will differentiate between two-dimensional shapes and three-dimensional forms, creating artworks that demonstrate both.
2 methodologies
Color Wheel & Primary/Secondary Colors
Students will identify and mix primary and secondary colors, understanding their relationships on the color wheel.
2 methodologies
Warm & Cool Colors: Emotional Impact
Students will explore how warm and cool colors evoke different emotions and apply this understanding to their artwork.
2 methodologies
Texture: Real vs. Implied
Students will differentiate between real and implied texture, creating artworks that incorporate both tactile and visual textures.
2 methodologies
Ready to teach Emphasis & Contrast?
Generate a full mission with everything you need
Generate a Mission