Skip to content
Art and Design · Year 3 · The Power of Line and Texture · Autumn Term

Creating Textural Collages

Experimenting with different materials to create collages that emphasize varied textures and surfaces.

National Curriculum Attainment TargetsKS2: Art and Design - Texture and SurfaceKS2: Art and Design - Mixed Media

About This Topic

Creating textural collages introduces Year 3 students to mixed media techniques, where they select and layer materials such as fabric scraps, corrugated cardboard, string, leaves, and foil to build surfaces rich in varied textures. This work meets KS2 Art and Design standards for exploring texture and surface through experimentation. Students analyze how rough burlap contrasts with smooth silk to evoke emotions like calm or chaos, and they design collages that convey specific moods or ideas, such as a stormy sea or peaceful forest.

In the unit on The Power of Line and Texture, this topic develops key skills in material selection, composition, and critical evaluation. Students compare the impact of smooth versus rough elements within a single artwork, fostering observation and decision-making. These activities connect art to sensory experiences, encouraging pupils to articulate how tactile qualities influence visual impact and personal response.

Active learning benefits this topic greatly because direct handling of diverse materials makes texture immediately tangible and engaging. Collaborative critiques allow students to touch and discuss peers' collages, refining their understanding of how combinations create new effects. Such hands-on, shared exploration builds confidence in artistic choices and deepens appreciation for mixed media possibilities.

Key Questions

  1. Analyze how combining different materials creates a new visual and tactile experience.
  2. Design a collage that uses texture to convey a specific mood or idea.
  3. Compare the impact of smooth versus rough textures in a single artwork.

Learning Objectives

  • Analyze how combining different materials like fabric scraps and corrugated cardboard creates new visual and tactile experiences.
  • Design a collage that uses varied textures to convey a specific mood, such as 'calm' or 'chaotic'.
  • Compare the impact of smooth versus rough textures within a single collage artwork.
  • Identify at least three different types of materials that can be used to create varied textures in a collage.
  • Explain how the choice of materials influences the overall tactile and visual effect of a collage.

Before You Start

Exploring Line in Art

Why: Students need to understand how different types of lines can be created and used visually before exploring how texture adds another sensory dimension.

Basic Collage Techniques

Why: Students should be familiar with the foundational skill of cutting and sticking materials before experimenting with varied textures.

Key Vocabulary

TextureThe way a surface feels or looks like it feels, including qualities like rough, smooth, bumpy, or soft.
Mixed MediaAn art form that uses more than one type of material or medium, such as paint, paper, fabric, and found objects.
CollageA piece of art made by sticking various different materials such as photographs and pieces of paper or fabric onto a backing.
TactileRelating to the sense of touch; how something feels when you handle it.
SurfaceThe outside part or uppermost layer of something, which has a particular feel or appearance.

Watch Out for These Misconceptions

Common MisconceptionTexture is only about how something looks, not how it feels.

What to Teach Instead

Students often overlook the tactile aspect until they handle materials. Active exploration stations let them rub and layer fabrics against papers, revealing sensory contrasts. Peer sharing reinforces that touch enhances visual impact in art.

Common MisconceptionRough textures always make art more exciting than smooth ones.

What to Teach Instead

Pupils may favour rough materials for drama. Mood collage pairs guide balanced selection, showing smooth silk conveys serenity effectively. Group critiques help compare impacts, building nuanced choices.

Common MisconceptionCollages with many materials look better than simple ones.

What to Teach Instead

Overloading is common without planning. Step-by-step design sketches followed by limited material trays teach restraint. Evaluating class examples highlights how few strong textures create focus.

Active Learning Ideas

See all activities

Real-World Connections

  • Textile designers create fabrics with specific textures for clothing and upholstery, considering how they will feel and drape. They might use weaving, knitting, or printing techniques to achieve effects like a soft velvet or a crisp linen.
  • Set designers for theatre and film use mixed media techniques to build textured environments that evoke particular periods or moods. They might combine painted canvas, rough plaster effects, and found objects to create a believable, tactile world for the audience.

Assessment Ideas

Exit Ticket

Students select one collage they created and write two sentences: 'This collage uses textures to show [mood/idea]. The materials I used that create this feeling are [material 1] and [material 2] because they feel [texture description].'

Peer Assessment

Students display their collages. In pairs, they point to one area of their partner's collage and state: 'I like how the [smooth/rough] texture of the [material] contrasts with the [other material]. It makes me feel [emotion].' Partners respond with one specific positive observation about texture.

Quick Check

Hold up examples of different textured materials (e.g., sandpaper, silk, bubble wrap). Ask students to call out or write down the word that describes how each material feels (e.g., rough, smooth, bumpy). Then ask: 'Which of these would you use to make a collage feel calm? Why?'

Frequently Asked Questions

What everyday materials work best for Year 3 textural collages?
Use accessible items like egg boxes for ridges, tissue paper for softness, pasta for crunch, and yarn for loops. These provide clear tactile contrasts without cost. Pre-sort into trays by rough, smooth, shiny, and matte categories to streamline setup and focus student choices on intentional layering for mood.
How do you link textural collages to mood and ideas in Year 3?
Start with emotion charades or images to brainstorm textures, like fluffy for happy or spiky for angry. Students sketch plans linking materials to feelings before building. Final critiques use prompts like 'How does this texture make you feel?' to connect sensory experience to artistic intent, aligning with key questions.
How can active learning deepen texture understanding in collages?
Hands-on stations and pair builds let students manipulate materials directly, turning abstract concepts into sensory memories. Collaborative shares and critiques expose them to diverse combinations, sparking ideas like pairing smooth with rough for tension. This approach builds vocabulary for describing effects and boosts confidence in experimenting.
How to assess textural collages effectively?
Use simple rubrics focusing on variety of textures used, intentional mood conveyance, and secure layering techniques. Observe during creation for risk-taking, and review self-reflections on 'What surprised me about this texture?' Peer feedback sheets noting strengths in one peer's work encourage specificity and positivity.