Poetry and Wordplay · Spring Term

Personification and Hyperbole

Exploring how personification gives human qualities to non-human things and how hyperbole creates exaggeration for effect.

About This Topic

Costume and Mask Design allows 3rd Class students to explore the intersection of art, drama, and identity. By creating wearable art, students move from 2D planning to 3D construction, considering how a piece of art must interact with the human body. This topic covers the use of textiles, found objects, and structural elements to create a character. It aligns with the NCCA Fabric and Fibre and Construction strands, emphasizing 'Visual Awareness' and the ability to communicate a character's traits through visual symbols.

This topic is inherently performative. It encourages students to think about how their artistic choices affect movement and persona. Students grasp this concept faster through role play and simulations where they 'test' their masks or costumes in character, identifying which elements work and which need adjustment.

Active Learning Ideas

Role Play: Character Walk

Students put on their (unfinished) masks or costume pieces and move across the room as their character. Their partner observes and gives feedback on how the costume changes the way they move.

⏱ 25 min·Pairs

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Inquiry Circle: The Attachment Challenge

In small groups, students brainstorm the best way to attach a heavy 'horn' or 'ear' to a mask so it doesn't flop over. They test different methods (tabs, extra card, wire) and share the most stable solution.

⏱ 30 min·Small Groups

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Think-Pair-Share: Color and Character

Students choose a character from an Irish legend (e.g., Cú Chulainn). They discuss in pairs which colors and textures (e.g., 'rough' for a warrior, 'shiny' for a magical being) would best represent them.

⏱ 15 min·Pairs

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Watch Out for These Misconceptions

Common Misconception

A mask only needs to look good from the front.

What to Teach Instead

Students often forget that a mask is a 3D object. Peer observation during the 'Character Walk' helps them see that adding side details or 'depth' makes the character more believable from all angles.

Common Misconception

You can just use a single string to hold a heavy mask on.

What to Teach Instead

Many masks fall off or slip. Hands-on 'fitting sessions' allow students to discover that a 'T-shape' strap (one over the top of the head) is much more stable than a single horizontal one.

Frequently Asked Questions

What are the best base materials for masks?

Sturdy paper plates are a great starting point, but 'cereal box' card is more versatile as it can be scored and folded to create 3D features like noses or brows. Plastic 'blank' masks are also available but offer less room for structural creativity.

How can active learning help students understand costume design?

Costume design is art in motion. Active learning strategies like the 'Character Walk' force students to consider the 'usability' of their art. If a mask is too heavy or a costume piece restricts movement, the student must return to the design phase. This cycle of 'create-test-refine' is the heart of the design process and is best learned through active experimentation.

How do I ensure the masks are comfortable for the children?

Always have them 'test-fit' the eye holes before adding decorations. Use soft materials like felt or foam for any parts that will touch the skin, and ensure there are no sharp edges from wire or staples.

Can this link to the Irish Language (Gaeilge)?

Yes. Students can describe their characters using Irish vocabulary (e.g., 'Tá súile móra aige,' 'Tá dath dearg air'). This provides a meaningful context for using descriptive language.

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