Becoming Someone ElseActivities & Teaching Strategies
Active role-play helps students move beyond abstract ideas of character to lived experience. When they physically and vocally embody traits like shyness or bravery, the learning sticks. Costumes and props can wait; body and voice come first in building believable people.
Learning Objectives
- 1Demonstrate how changing vocal pitch and volume alters audience perception of a character's emotions.
- 2Identify how specific body postures communicate a character's hidden feelings or intentions.
- 3Design a sequence of non-verbal actions to convey a character's personality and story.
- 4Explain how simple costume elements, like a hat or scarf, can transform a performer's character.
- 5Compare the effectiveness of vocal versus physical changes in establishing a character.
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Simulation Game: The Character Wardrobe
Students are given a single accessory (a scarf, a cane, a crown). They must move around the room and interact with others, showing how that one item changes their walk and their voice.
Prepare & details
Explain how changing your voice changes how the audience sees your character.
Facilitation Tip: During The Character Wardrobe, limit props to one scarf or hat so students focus on how posture and gesture change with minimal support.
Setup: Flexible space for group stations
Materials: Role cards with goals/resources, Game currency or tokens, Round tracker
Think-Pair-Share: Voice Swap
Students are given a simple sentence like 'It is raining.' They practice saying it to a partner as a grumpy giant, a tiny mouse, and a brave explorer, discussing how the meaning changes.
Prepare & details
Analyze what a character's posture can tell us about their secrets.
Facilitation Tip: In Voice Swap, model both the neutral voice and the transformed voice yourself before students pair up.
Setup: Standard classroom seating; students turn to a neighbor
Materials: Discussion prompt (projected or printed), Optional: recording sheet for pairs
Role Play: Hot Seating
One student sits in the 'hot seat' as a character from a known story. The rest of the class asks them questions about their life, and the student must answer in character using their chosen voice and posture.
Prepare & details
Design how we show an audience who we are without using any words.
Facilitation Tip: For Hot Seating, prepare three quick questions that probe the character’s feelings, fears, and secrets to push depth in responses.
Setup: Open space or rearranged desks for scenario staging
Materials: Character cards with backstory and goals, Scenario briefing sheet
Teaching This Topic
Start with neutral exercises so students feel safe experimenting before an audience forms. Use mirrors or phone cameras for instant self-feedback. Research shows children learn best when they see themselves change in real time, so keep mirrors close during early rehearsals.
What to Expect
Students should show they can adjust posture, facial expression, and vocal tone to create distinct characters. They should also listen actively during role play and give feedback that refers to specific performance choices rather than general opinions.
These activities are a starting point. A full mission is the experience.
- Complete facilitation script with teacher dialogue
- Printable student materials, ready for class
- Differentiation strategies for every learner
Watch Out for These Misconceptions
Common MisconceptionDuring The Character Wardrobe, watch for students who pick large or colorful props to carry the scene.
What to Teach Instead
Swap props for a plain scarf and ask students to use only body and voice to show age, mood, and status in a no-prop role play.
Common MisconceptionDuring Voice Swap, children often mimic cartoon voices or loud voices to be funny.
What to Teach Instead
After the peer feedback round, ask students to try a voice that matches the character’s circumstances, not the joke, using a quiet, serious, or tired tone as options.
Assessment Ideas
After The Character Wardrobe, ask students to stand in a neutral pose. Then instruct them to hide a secret using only posture and facial expression. Note who shifts weight, lowers shoulders, or tightens their jaw to show tension.
During Voice Swap, present the scenario ‘a character who is excited but must stay quiet.’ Ask students to share one vocal change and one body change they would use. Record their ideas on the board to review later.
After Hot Seating, give each student a trait card (e.g., shy, brave, grumpy). Ask them to draw one posture that shows the trait and write one sentence explaining how their body and voice matched the role.
Extensions & Scaffolding
- Challenge pairs to invent a 30-second silent scene where one character is hiding a secret from the other.
- Scaffolding for shy students: provide printed emotion words and posture photos to match before they speak.
- Deeper exploration: invite students to record their Hot Seating answers, then compare the first take to a second take after peer coaching.
Key Vocabulary
| Character | A person, animal, or imaginary creature in a story or play, with distinct traits and motivations. |
| Posture | The way a person holds their body, which can reveal their mood, confidence, or secrets. |
| Vocal Quality | The characteristics of a person's voice, including pitch, volume, and tone, used to express emotion and personality. |
| Non-verbal Communication | Conveying messages or information without using spoken words, through gestures, facial expressions, and body language. |
| Perspective | A particular attitude toward or way of regarding something; a point of view. |
Suggested Methodologies
More in Stories on Stage
The Magic of Props
Exploring how simple objects can be transformed through imagination to support a story.
2 methodologies
Setting the Scene
Understanding how the place where a story happens affects the action of the characters.
2 methodologies
Dreamtime Stories in Motion
Using body language and gestures to convey emotions and advance a narrative without words.
2 methodologies
Creating a Character Voice
Experimenting with pitch, volume, and speed to develop distinct voices for different characters.
2 methodologies
Improvisation: Spontaneous Scenes
Developing spontaneous acting skills through simple improvisation games and exercises.
2 methodologies
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