Shapes in Motion: Body Forms
Creating still and moving shapes with the body to represent objects and feelings.
About This Topic
Shapes in Motion introduces Year 1 students to the element of 'body' in dance. Students explore how to use their physical selves to create still shapes (statues) and moving shapes, focusing on levels (high, medium, low) and pathways (straight, curved, zigzag). This topic aligns with ACARA Dance standards where students use their bodies to express ideas and feelings through movement.
In the Australian context, this can be linked to the movements of native animals or the shapes found in the natural landscape, such as the jagged edges of a cliff or the flowing curves of a river. By experimenting with 'heavy' and 'light' movements, students develop physical control and an understanding of how dance can communicate without words. This topic comes alive when students can physically model these shapes in response to music or visual prompts.
Key Questions
- Analyze how we can make our bodies look heavy like a rock or light like a cloud.
- Compare the impact of sharp, angular shapes versus soft, rounded shapes in dance.
- Design a sequence of body shapes that tells a mini-story.
Learning Objectives
- Demonstrate how to create contrasting body shapes representing 'heavy' and 'light' qualities.
- Compare the visual impact of sharp, angular body shapes versus soft, rounded body shapes.
- Design a short sequence of still body shapes to represent a simple object or feeling.
- Analyze how changes in body level (high, medium, low) affect the overall shape and expression.
- Create moving body shapes that follow a straight or curved pathway.
Before You Start
Why: Students need a basic understanding of how to move different body parts and control their balance before exploring specific shapes and qualities.
Why: Prior experience with simple locomotor movements (walking, running, jumping) provides a foundation for exploring pathways and creating sequences.
Key Vocabulary
| Body Shape | The form or outline created by a dancer's body in space, which can be still or moving. |
| Levels | The vertical space a dancer uses, including high (above shoulders), medium (at shoulders or waist), and low (below waist). |
| Pathway | The route the body travels through space, which can be straight, curved, or zigzag. |
| Qualities of Movement | The characteristics of how a movement is performed, such as heavy, light, sharp, or soft. |
Watch Out for These Misconceptions
Common MisconceptionStudents often think that dance is only about 'steps' or 'routines.'
What to Teach Instead
The 'Sculpture Garden' activity shows them that a still shape can be just as much a part of dance as a jump. This helps them understand that dance is about using the body to communicate, not just following a beat.
Common MisconceptionChildren may only move at 'eye level' and forget about the floor or the air.
What to Teach Instead
Use the 'Magic Remote' to specifically call for 'Low Level' (on the floor) or 'High Level' (reaching up). This physical challenge forces them to explore the full range of their personal space.
Active Learning Ideas
See all activitiesSimulation Game: The Magic Remote
The teacher (or a student) holds an imaginary remote control. When they press 'Pause,' the class must freeze in a 'sharp' shape. When they press 'Play,' they move in 'curvy' lines. 'Fast Forward' and 'Slow Motion' change the speed of their shapes.
Gallery Walk: Sculpture Garden
Half the class creates a 'statue' representing a feeling (e.g., 'proud' or 'shy') at different levels. The other half walks through the 'garden,' trying to guess the feeling based on the shape. Then, the groups swap roles.
Think-Pair-Share: Shape Mimics
Pairs are given a picture of a natural object (e.g., a prickly banksia or a drooping willow). They must work together to create a 'partner shape' that represents that object, focusing on how to use their arms and legs to show the texture.
Real-World Connections
- Sculptors and animators create still and moving forms to represent characters and objects. For example, animators use body shapes to convey emotions like joy or sadness in animated films.
- Athletes in sports like gymnastics or synchronized swimming use precise body shapes and movements to execute routines and score points, demonstrating control and expression.
Assessment Ideas
Ask students to form a 'heavy' shape on the floor, then a 'light' shape in the air. Observe if they can differentiate and demonstrate the qualities through their body posture and tension.
Provide students with a card showing a simple object (e.g., a tree, a ball). Ask them to draw or write one sentence describing a body shape they could make to represent it.
Show images of different sculptures or natural forms (e.g., a rock, a feather, a winding river). Ask students: 'How could you use your body to look like this? What kind of movement would it be: heavy or light, sharp or soft?'
Frequently Asked Questions
How do I help students who are self-conscious about dancing?
What kind of music should I use for Year 1 dance?
How does this connect to the ACARA Health and PE curriculum?
How can active learning help students understand dance shapes?
More in Moving Bodies: Dance and Space
Levels and Pathways in Dance
Exploring different levels (high, medium, low) and pathways (straight, curved, zigzag) in movement.
2 methodologies
Dancing with a Partner: Mirroring
Learning to coordinate movements with others through mirroring and following exercises.
2 methodologies
Group Dance: Synchronicity
Collaborating in small groups to create synchronized movements and simple formations.
2 methodologies
Storytelling through Gesture
Using non-verbal communication to express a sequence of events or a specific narrative.
2 methodologies
Dance and Emotions
Exploring how different movements and facial expressions can convey a range of emotions.
2 methodologies
Dance from Different Cultures
Investigating traditional dances from various cultures, understanding their significance and movements.
2 methodologies