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The Global Connection · Term 4

Benefits and Costs of Free Trade

Examining the economic arguments for and against free trade agreements.

Key Questions

  1. Who wins and who loses when a new free trade agreement is signed?
  2. Evaluate the impact of free trade on domestic industries and employment.
  3. Justify the arguments for and against protectionist policies.

ACARA Content Descriptions

AC9HE10K01
Year: Year 9
Subject: Economics & Business
Unit: The Global Connection
Period: Term 4

About This Topic

Contemporary Fusion challenges Year 9 students to become choreographic 'architects' by blending disparate dance styles like ballet, jazz, and street dance. This topic aligns with ACARA's focus on experimenting with dance elements to create original works and understanding how different cultural influences can be merged. It encourages students to think critically about the 'vocabulary' of movement.

Students learn that fusion is not just a random mix of steps; it requires an understanding of the underlying principles of each style. They explore how changing the rhythm of a classical ballet move can turn it into something contemporary. This topic is most successful when students engage in peer teaching and collaborative choreography, sharing their individual strengths in different styles to create a cohesive group piece.

Active Learning Ideas

Watch Out for These Misconceptions

Common MisconceptionFusion is just 'messy' dancing without rules.

What to Teach Instead

Successful fusion requires strong technique in the 'parent' styles. Active peer feedback sessions help students identify when a movement has lost its 'intent' and how to sharpen the fusion.

Common MisconceptionYou have to be an expert in all styles to do fusion.

What to Teach Instead

Fusion is about experimentation. Collaborative group work allows students to contribute what they know and learn from others, making the final piece stronger than an individual effort.

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Frequently Asked Questions

How do I assess a 'fusion' dance fairly?
Assess the 'intentionality' of the blend. Look for clear transitions and how the student has used the elements of dance (space, time, dynamics) to create a new, cohesive style.
How can student-centered teaching help with choreography?
By allowing students to work in small groups to 'solve' a choreographic problem, they learn to negotiate, compromise, and articulate their creative vision, which are key ACARA 'General Capabilities'.
What are some famous examples of fusion dance?
Look at the work of Akram Khan (Kathak and Contemporary) or the 'Hip Hop Ballet' of groups like The Hip Hop Dance Experience. These provide great visual inspiration for students.
How does this topic connect to the ACARA curriculum?
It covers AC9ADA10D01 (developing choreographic skills) and AC9ADA10E01 (creating and performing dance works).

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