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The Art of the Oral Story · Term 3

Retelling with Expression

Using vocal variety and facial expressions to retell a known story to an audience.

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Key Questions

  1. What can you do with your voice to make a story exciting to listen to?
  2. How does using a different voice for each character make a story more fun?
  3. Can you retell part of a story and use your voice to show how a character is feeling?

ACARA Content Descriptions

AC9E2LY07AC9E2LT03
Year: Year 2
Subject: English
Unit: The Art of the Oral Story
Period: Term 3

About This Topic

Retelling with expression is about bringing a story to life for an audience. This topic focuses on using vocal variety, changing volume, pitch, and pace, alongside facial expressions and simple gestures. This aligns with ACARA's requirements for students to retell stories using appropriate language and features to engage an audience. Students might retell a Dreamtime story, a traditional Asia-Pacific folk tale, or a modern Australian picture book, focusing on how their performance changes the listener's experience.

Expression is the 'key' that develops the emotion of a story. It helps the audience understand how a character is feeling and where the most exciting parts of the plot are. This topic comes alive when students can experiment with their voices and bodies in a safe, playful environment, receiving immediate feedback from their peers.

Learning Objectives

  • Demonstrate vocal variety by altering pitch, pace, and volume to convey character emotions during a story retelling.
  • Identify specific moments in a story where changes in vocal delivery can enhance audience engagement.
  • Retell a familiar story to an audience, incorporating distinct vocal characteristics for at least two characters.
  • Analyze the impact of facial expressions and gestures on audience comprehension of a story's emotional arc.

Before You Start

Identifying Story Elements

Why: Students need to understand the basic characters, setting, and plot of a story before they can retell it with expression.

Oral Language Skills

Why: Students require foundational speaking skills to participate in retelling activities and articulate their ideas about vocal expression.

Key Vocabulary

Vocal VarietyUsing different tones, volumes, and speeds when speaking to make your voice interesting and expressive.
PitchHow high or low a person's voice sounds. Changing pitch can show excitement or sadness.
PaceThe speed at which someone speaks. Speaking faster can show urgency, while speaking slower can build suspense.
VolumeHow loud or soft your voice is. Changing volume can emphasize important parts of a story or show a character whispering.
Facial ExpressionsChanges in the face, like smiling, frowning, or widening eyes, that show feelings and reactions.

Active Learning Ideas

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Real-World Connections

Voice actors use vocal variety, pitch, pace, and volume to bring animated characters to life in movies and video games, making them believable and engaging for audiences.

Children's librarians use expressive storytelling techniques, including different voices for characters and dramatic pauses, to captivate young listeners during story time sessions.

Stage actors on Broadway and in local theatre productions rely heavily on vocal expression and body language to convey a character's emotions and drive the plot forward for a live audience.

Watch Out for These Misconceptions

Common MisconceptionStudents often think that 'expression' just means speaking loudly.

What to Teach Instead

Teach that a whisper can be just as expressive as a shout. Use a 'Volume Scale' activity to show how different parts of a story (like a secret vs. a celebration) require different volume levels.

Common MisconceptionChildren may feel that they need to move their whole body constantly to be expressive.

What to Teach Instead

Explain that 'less is often more'. A simple eyebrow raise or a small hand gesture can be very powerful. Practice 'Stillness and Spark' where students stay mostly still but use their face and voice to tell the story.

Assessment Ideas

Quick Check

Ask students to whisper a sentence about a happy character, then say the same sentence in a loud, excited voice. Observe if they can demonstrate a change in volume and tone to match the emotion.

Peer Assessment

Students retell a short section of a story to a partner, focusing on one character. The listener uses a simple checklist: 'Did your partner change their voice for the character?' 'Did their face show the character's feeling?'

Exit Ticket

Students draw a simple face showing one emotion (e.g., scared, happy). Below the drawing, they write one sentence describing how they would use their voice (pitch, pace, volume) to show that emotion when retelling a story.

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Frequently Asked Questions

How do I help a student who is too shy to use a 'silly' voice?
Start with choral retelling, where the whole class uses the voice together. This 'safety in numbers' helps shy students experiment without feeling like the spotlight is only on them. You can also use puppets, which allow the student to 'hide' behind the character.
What are 'vocal cues' in retelling?
These are the 'clues' in the text that tell you how to use your voice. For example, if it says 'he whispered', the student should whisper. If it says 'she cried out', they should use a louder, more urgent tone. Teaching students to look for these cues improves their performance.
How can active learning help students retell with expression?
Active learning, like 'The Emotion Remote Control', turns expression into a game. It encourages students to take creative risks and see the immediate effect of their choices on their audience. This playful approach reduces the 'fear of being wrong' and allows students to discover the power of their own voice.
Why is expression important for reading comprehension?
When a student reads or retells with expression, it proves they understand the 'subtext' of the story, the feelings and motivations that aren't always written down. Expression is a visible (and audible) sign that the student has truly 'entered' the world of the story.